Misa Criolla

8.9927.49

Clear
SKU: COBRA0044 Category:

Tracklist

1.
Apachita
03:52
2.
Tono de la Virgen
02:16
3.
Gozos a Nuestra Seniora de la Antigua
03:09
4.
Hijos de Eva tributarios
02:53
5.
La matutina estrella
02:43
6.
Convidando esta la noche
06:32
7.
Dios es ya nacido
02:43
8.
Veni Sponsa Christi
03:50
9.
Sa qui turo zente pleta
06:58
10.
Kyrie. Pater exaudinos
02:57
11.
Serafin que con dulce armonia
04:02
12.
Tres Bailecitos
02:41
13.
Misa Criolla - Kyrie
03:38
14.
Misa Criolla - Gloria
05:45
15.
Misa Criolla - Credo
03:11
16.
Misa Criolla - Sanctus
02:18
17.
Misa Criolla - Agnus Dei
03:12

Description

This new recording of the ever so popular Misa Criolla was made to mark the fiftieth anniversary of it’s creation in 1964. It’s a sparkling, genuinely Latino version, reminiscent of the original recordings.In this vibrant new edition, Ramírez’ popular mass is embedded in 17th- and 18th-century vespers, villancicos and hymns, all examples of ‘spontaneous’ expressions of popular religion and folk culture. Ramírez’ composition indeed draws on an ancient tradition of popular devotion and isdeeply rooted in Latin America’s folk music. Surprisingly, no new recorded versions of any importance have seen the light since the early nineties of the last century. With their classical schooling, fed by roots in the musical tradition of Latin America, the musicians of Música Temprana are very well placed to fill this gap.

Additional information

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Video

https://www.youtube.com/watch?v=YnUib9K2m1s

Description

<p>This new recording of the ever so popular Misa Criolla was made to mark the fiftieth anniversary of it’s creation in 1964. It’s a sparkling, genuinely Latino version, reminiscent of the original recordings.</p>
<p><br />In this vibrant new edition, Ramírez’ popular mass is embedded in 17th- and 18th-century vespers, villancicos and hymns, all examples of ‘spontaneous’ expressions of popular religion and folk culture. Ramírez’ composition indeed draws on an ancient tradition of popular devotion and isdeeply rooted in Latin America’s folk music. Surprisingly, no new recorded versions of any importance have seen the light since the early nineties of the last century. With their classical schooling, fed by roots in the musical tradition of Latin America, the musicians of Música Temprana are very well placed to fill this gap. </p>

Repertoire

<p>Popular devotion in Early Music<br />1.      Apachita – Mario Conde (1956), Bolivia<br />2.      Tono de la Virgen – Traditional, 20th c., Venezuela*<br />3.      Gozos a Nuestra Señora de la Antigua – Juan Bautista Comes (1582-1643), Spain<br />4.      Hijos de Eva tributarios – Tomás de Herrera, (fl. 1611-20), Peru<br />5.      La matutina estrella – Anonymous, 1859, from Melchor Mercado ‘s Album de paisajes, Bolivia*<br />6.      Convidando esta la noche – Juan García Zespedes (1619-1678), Mexico<br />7.      Dios es ya naçido – Anonymous, ca.1600, from M.Md.7 Santa Eulalia, Guatemala<br />8.      Veni Sponsa Christi – Juan de Araujo (1646-1712), Bolivia<br />9.      Sã qui turo zente pleta – Anonymous, 1647, Portugal<br />10.    Kyrie. Pater exaudinos (Minuete) – Juan de Araujo/Anonymous, 18th c., Moxos, Bolivia<br />11.    Serafín que con dulce armonía – Joan Cererols (1618-1680), Spain<br />12.    Tres Bailecitos:<br />         a- Campanitas – Alfredo Domínguez, (1938-1980), Bolivia<br />         b- Ciruelita – Gabriel Aguilera Valdebenito (1958), Chile<br />         c- Bailecito – traditional, Bolivia<br /> <br />Misa Criolla – Ariel Ramírez (1921-2010), Argentina<br />13. Kyrie<br />14. Gloria<br />15. Credo<br />16. Sanctus<br />17. Agnus Dei<br /> <br />*Arrangements: Adrián Rodríguez Van der Spoel<br />Adrián Rodríguez Van der Spoel<br /> </p>
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Press reviews

Audiostream.com

But what I enjoyed the most was the way the Crimson / Quotient was able to reproduce multiple voices. The DAC seemed to breeze along when the musical passages became more complex and never lost its ability to retain focus while maintaining a relaxed presentation.

AudioStream.com

Listening to the Misa Criolla performed by Musica Temprana (DSD 64 from native DSD) was a new experience for me with the Crimson / Denominator. Most DACs I have listened to with this recording have a slight hardness to the sound, but not the Crimson. The stereo version I listened to was vibrant and a highly rhythmic musical composition. The Crimson reproduced the acoustics of the recording venue in an engaging soundstage that drew me into the music. The resolution of low level detail was exemplary with macro and micro dynamics beautifully reproduced. But what I enjoyed the most was the way the Crimson / Quotient was able to reproduce multiple voices. The DAC seemed to breeze along when the musical passages became more complex and never lost its ability to retain focus while maintaining a relaxed presentation.

Glarean Magazine

“Conclusion: This recording of Ramirez ‘”Misa Criolla” and all Latinamerican-Christian songs i is an authentic, convincing and faithful recording of reality, and impressive testimony of South America’s popular, folkloric culture in touch with the Christian-European tradition. A bridge between the worlds.”

Luister 5 out of 5

5 stars and 10 in Luister!
What we have here beats everything we heard earlier. Classically trained voices with roots in the Latin American music, with precision, but above all with passion and conviction be performing both baroque and modern sounds. The sound quality of this recording meets the highest demands.

NRC Handelsblad

Swinging mass “Misa Criolla” is full of secrets!

NRC

Swinging mass “Misa Criolla” is full of secrets!

Nederlands Dagblad 5 out of 5

De meeste leden van het ensemble komen uit Latijns-Amerika. En dat is goed te horen. Ze hebben geen enkele moeite met de soms lastige, onregelmatige ritmes. Het is bijzonder te horen hoe goed de in 19e en 20e eeuwse werken het barok instrumentarium zich laat combineren met moderne instrumenten. Música Temprana doet dat werkelijk schitterend! De bijzondere manier van zingen maakt deze versie van de Misa Criolla heel authentiek en geregeld ook heel emotioneel. Het is alsof alle frustratie van armoede en nood moet worden uitgeschreeuwd.

Parool 5 out of 5

De Misa Criolla is een direct voortvloeisel van barokmuziekpraktijk die nog altijd springlevend is. De zangers zingen alsof hun leven ervan afhangt, en zo hoort het ook.

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