Fenêtre sur le Jardin
€8.99 – €18.99
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Description
The album Fenêtre sur le Jardin is a special project from pianist Ksenia Kouzmenko, with Czech music for piano solo. Together with famous names such as Josef Suk, Bohuslav Martinů en Leoš Janáček, there are two world premiere pieces on this album by Jaroslav Kvapil and Miloslav Kabeláč.
Jaroslav Kvapil has been almost completely forgotten, but he was one of Janáček’s most talented pupils. As a pianist, composer, peda- gogue and conductor, he was a very important figure in Czech musical life in the first part of the 20th century. His beautiful cycle “Through the Valley of Grief and Sorrow” consists of 9 pieces. They can best be described as short mood pictures. Psychological miniatures which always shine through another musical form – a song, dances, folk music, nature images – but above all it is a glance into the inner world of a human being.
Miloslav Kabeláč was the chief editor of Czech Radio for decennia. He was a pioneer in the field of electronic music, and did much research on non-European music. In addition he conducted regularly, and taught composition at the Prague Conservatory. The publishing house Bärenreiter Praag proclaimed 2018 as the year of Kabeláč. The “Short Pieces” of Miloslav Kabeláč were written at different moments in his life. The first piece dates from 1946 while the most recent was written in 1961. The pieces form sort of micro-worlds. Kabeláč is very choosy and precise with his musical material. Time and again he succeeds in creating a hypnotic atmosphere with very few resources.
In addition on this album the well-known “Love Song” by Josef Suk, the lyrical cycle “Fenêtre sur le jardin”(“Windows on to the Garden”) by Bohuslav Martinů, and one of Leoš Janáček’s most loved works, “In the Mists”. Enchanting music, which goes directly to the heart.
This project is a continuation of the album Whispering Leaves with works by Janáček, Páleniček and Martinů, which Ksenia Kouzmenko and the Czech cellist Lucie Štĕpánová released in 2018 (COBRA0069).
Ksenia Kouzmenko is internationally renowned for her sensitive and technically accomplished piano playing, and is in great demand as a partner in chamber music. She recently discovered the joy of playing on an Érard grand piano, with its inspiring sound possibilities.
“Ksenia Kouzmenko is a convincing performer. She sweeps the listener along on her musical explorations”.
Additional information
Format | |
---|---|
Cables | Acoustic Revive |
Digital Converters | Merging Technologies |
Editing Software | Pyramix |
Microphones | Bruel & Kjaer 4003, Neumann modified by Rens Heijnis |
Producer | Tom Peeters |
Recording Engineer | Tom Peeters, Mediatrack |
Recording location | Westvest 90, Schiedam, The Netherlands – July 16,17,18 &19, 2018 |
Recording Type & Bit Rate | DSD256 |
Type | |
Artists | |
Composers | Bohuslav Martinu, Jaroslav Kvapil, Josef Suk, Leos Janacek, Miloslav Kabelac |
Label | |
Genre |
Press reviews
Piano News
Es ist ein großartiges und spannendes Programm, das hoffen lässt, dass Ksenia Kouzmenko in dieser Richtung weitergräbt. / It is a great and exciting program that gives hope that Ksenia Kouzmenko will continue in this direction.- C.Dürer
ElegantClassics
Ksenia Kouzmenko opět s andělským tónem u COBRA RECORDS Pokud je v zahraničí umělec, který se výrazně stará o českou hudbu, je to radost, pokud je to navíc pianistka takových kvalit, jakými oplývá Ksenia Kouzmenko, je to radost více než dvojnásobná===Ksenia Kouzmenko again with an angelic tone on COBRA RECORDS If there is an artist abroad who takes great care of Czech music, it is a pleasure, if it is a pianist of such qualities as Ksenia Kouzmenko is, it is more than a pleasure. – Milos Bittner
MusicWeb International
Well-shaped and lively performances of Czech classics. This enterprising disc charts a pathway through Czech piano music of the twentieth-century (give or take) in performances of clear high points, such as Janáček’s In the Mists, but also through premiere recordings of cycles by Jaroslav Kvapil and Miloslav Kabeláč. – Jonathan Woolfe
Opus Klassiek
Ksenia Kouzmenko, geboren in Minsk en dochter van een pianistenechtpaar, profileert zich in dit recital als ideale vertolkster van dit afwisselend gloedvolle, contemplatieve, expressief voortdurend betoverende repertoire. Ze heeft zich duidelijk in de bijzondere aard van deze stukken verdiept, met als groot winstpunst dat haar spel daardoor ook inhoudelijk een zeer gevoelige snaar weet te raken. Over haar pianistiek hoef ik het natuurlijk helemaal niet hebben: haar technische vocabulaire staat als een huis. – Aart van der Wal
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