Flowers we are…

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Description

KSENIA KOUZMENKO PIANO

“Flowers We Are…” is a very poetic new album by pianist Ksenia Kouzmenko.

It features 38 “flower pieces” by 15 composers from the Renaissance to today, in which the flower symbolizes not only eternal beauty but also vulne- rability, the fleeting of time, and the transience of life. The album takes it’s name from a number of short pieces by theHungarian composer György Kurtág, “Virág az ember…” (“Flowers We Are…”).

The extreme intensity and almost aphoristic concentration of Kurtág’s compositions creates a very special listening experience, which puts other music in a bright new light. A natural tension arc connects the whole album from beginning to end. For almost two years Ksenia Kouzmenko has been busy carefully selecting and bringing together these pieces, ever again changing the order, or adding new ones. She was not only concerned with different styles or periods, but also with composers who wrote beautiful music but have become forgotten over time.

Ksenia Kouzmenko would like to dedicate this album to the magnificent composer György Kurtág, who will be a hundred years old in February 2026, and to his late wife Márta Kurtág. She had the privilege of working with both of them on several occasions, and the musical world of György Kurtág became very dear to her.

Tracklist

1.
Flowers We Are, Frail Flowers... (1b) (Games book I) (1973) (György Kurtág)
00:32
2.
Flowers We Are, Frail Flowers... (1a) (I) (1973 (György Kurtág)
00:43
3.
Flowers We Are... (VII) (2000) (György Kurtág)
01:18
4.
Flowers We Are... (VII) (2000) (György Kurtág)
01:00
5.
All in a Garden Green (William Byrd)
04:27
6.
Flowers We Are... (4b) (I) (1973) (György Kurtág)
00:32
7.
... A Single Flower in Memory of Simone Verchaly (IX) (2005) (György Kurtág)
00:43
8.
The Budding Lilies (XIII) (1722) (François Couperin)
02:39
9.
The Reeds (XIII) (1722) (François Couperin)
03:48
10.
Grassblades in Memory of Klára Martyn (V) (1982) (György Kurtág)
00:43
11.
Flowers We Are... ( in memoriam Árpád Illés) (V) (1980) (György Kurtág)
01:01
12.
Trockne Blumen (1823/1844) (Franz Schubert, Franz Liszt)
03:38
13.
Heidenröslein, D.257 (1815/1953) (Franz Schubert, Alfred Cortot)
02:00
14.
Flower, the Flower... (V)(1979) (György Kurtág)
00:46
15.
A Flower for Gabriella Garzó (V) (1981) (György Kurtág)
01:20
16.
Fantasy on ''The Last Rose of Summer'', op. 15 (1827) (Felix Mendelssohn)
06:44
17.
Why Are the Roses so Pale? (1837/2025) (Fanny Hensel, Ksenia Kouzmenko)
02:11
18.
Flower and Thistle to S.W. (V) (1989) (György Kurtág)
00:24
19.
Flowers We Are... (from the Sayings of Péter Bornemisza) (V) (György Kurtág)
00:44
20.
A Gilly Flower for Márta (VII) (1997) (György Kurtág)
00:59
21.
The Silent Lotus Flower, op. 13/6 (1843/2025) (Clara Schumann)
03:00
22.
Blumenstück op. 19 (1839) (Robert Schumann)
06:42
23.
A Little Flower From Me (...lovely greetings to Grete Spinnrad) (V) (1987) (György Kurtág)
00:23
24.
A Flower (X) (1984. XII. 24) (György Kurtág)
00:40
25.
To a Violet, op. 49/2 (1868/1906) (Johannes Brahms)
03:01
26.
Song of the Roses op. 39/4 (1896) (Agathe Backer Grøndahl)
02:18
27.
Thistle (III) (1979) (György Kurtág)
00:30
28.
Bluebell (II) (1979) (György Kurtág)
00:41
29.
Bluebell, op. 85/5 (1916) (Jean Sibelius)
02:09
30.
Bluebells, op. 22/5 (1908) (Selim Palmgren)
02:07
31.
A Sprig of Heather for Witold (in memoriam Witold Lutoslawski) (VII) (1994) (György Kurtág)
02:21
32.
Narcissus, op. 90 (1910) (Mel Bonis)
02:55
33.
Lotus Land, op. 47/1 (1905) (Cyril Scott)
04:02
34.
Flowers We Are... (3) (I) (1973) (György Kurtág)
00:53
35.
Like the Flowers of the Field... (in memoriam Ligeti Ilona) (V) (1982) (György Kurtág)
01:35
36.
Daisies, op. 38/3 (1916/1924) (Sergei Rachmaninov)
02:22
37.
Lilacs, op. 21/5 (1902/1914) (Sergei Rachmaninov)
02:33
38.
...and once more: Flowers We Are... (I) (1973) (György Kurtág)
00:54

Additional information

Artists

Composers

Genre

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Label

Format

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Recording Location

Westvest90, Schiedam, The Netherlands

Recording dates

20, 21, 22 October 2025

Producer, recording engineer

Tom Peeters

Original recording format

DSD256

Microphones

Bruel & Kjaer 4003, Neumann modified by Rens Heijnis
Neumann KU-100 (Binaural) modified by Rens Heijnis
Sonodere MPM-81

Cables

Acoustic Revive

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